International Journal of Cultural Studies
In 2016, the A&E cable network partnered with the Clark County Jail in Jeffersonville, Indiana, to incarcerate seven volunteers as undercover prisoners for two months. This article takes the reality television franchise 60 Days In as a case study for analyzing the convergence of prison and television, and the rise of what we call the prison-televisual complex in the United States, which denotes the imbrication of the prison system with the television industry, not simply television as an ideological apparatus. 60 Days In represents an entanglement between punishment and the culture industries, whereby carceral logics flow into the business and cultural practices of entertainment, and the demands of the attention economy – ratings, content, profitability, sharing – come to bear on the prison as a disciplinary institution. The prison-televisual complex, we argue, participates in and facilitates carceral governing practices, including the TV industry’s involvement in the classification, criminalization, and warehousing of dispossessed populations.
Original Publication Citation
Page, A., & Ouellette, L. (2019). The prison-televisual complex. International Journal of Cultural Studies. 1-17. doi: 10.1177/1367877919870806
Page, Allison and Ouellette, Laurie, "The Prison-Televisual Complex" (2019). Communication & Theatre Arts Faculty Publications. 44.
Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Law Enforcement and Corrections Commons, Television Commons
This is a post print of authors manuscript. The final published version of the article may be found at https://journals.sagepub.com/doi/10.1177/1367877919870806
© The Author(s) 2019