Document Type
Article
Publication Date
2018
DOI
10.3983/twc.2018.1297
Publication Title
Transformative Works and Cultures
Volume
26
Pages
1-6
Abstract
I explore how the controversy surrounding an LGBT storyline on The 100 (2014–) points to the shifting social contracts of social media engagement between fans and the TV industry, as well as the challenges faced by fans and critics who attempted to solidify that contract in the wake of said controversy.
Original Publication Citation
McNutt, M. (2018). "The 100" and the social contract of social TV. Transformative Works and Cultures, 26, 1-6. doi:10.3983/twc.2018.1297
Repository Citation
McNutt, Myles, ""The 100" and the Social Contract of Social TV" (2018). Communication & Theatre Arts Faculty Publications. 34.
https://digitalcommons.odu.edu/communication_fac_pubs/34
Included in
Gender, Race, Sexuality, and Ethnicity in Communication Commons, Mass Communication Commons, Public Relations and Advertising Commons, Social Media Commons, Television Commons
Comments
Article is open access and is licensed under the Creative Commons Attribution 4.0 International License.
Article html can be accessed at
http://journal.transformativeworks.org/index.php/twc/article/view/1297/919
or
https://doi.org/10.3983/twc.2018.1297