Date of Award
Summer 1980
Document Type
Thesis
Degree Name
Master of Science (MS)
Department
Psychology
Program/Concentration
Psychology
Committee Director
Glynn D. Coates
Committee Member
Peter J. Mikulka
Committee Member
Raymond H. Kirby
Call Number for Print
Special Collections LD4331.P65 C654
Abstract
The "stream" hypothesis states that the order of repeating tone sequences in which the tones are closely spaced in frequency is easier for subjects to report, than is the order of sequences in which the tones are widely spaced. To permit a partial replication of prior tests of this hypothesis in the present experiment, a uniformly-spaced-narrow condition (sinusoidal waves spaced at intervals of 1/4 octave), and a uniformly spaced-wide condition (intervals of 1 1/8 octave), were used. Two additional conditions were created to test the hypothesis that a large frequency separation, or "gap," between the highest or lowest tone in a series results in an acoustical "edge," facilitating identification of the order of tone sequences. These were a low-frequency-separated condition and a high-frequency-separated condition. Sixteen subjects served in the four stimulus conditions and reported sequence orders by the card-ordering method. Repeating tone sequences consisted of each of the possible combinations of four different frequency tone elements, each presented for a duration of 3OO-milliseconds. No significant differences were found between the stimulus conditions on the basis of percentage of correct responses, response time, or rate of information transmission. No evidence for streaming or the acoustical edge was found when subjects of varied musical experience were tested. It was noted that the equivocal.
Rights
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DOI
10.25777/cjr1-j028
Recommended Citation
Comstock, James R..
"The Effect of Tone Frequency Spacing on Perception of Order in Repeating Tone Sequences"
(1980). Master of Science (MS), Thesis, Psychology, Old Dominion University, DOI: 10.25777/cjr1-j028
https://digitalcommons.odu.edu/psychology_etds/524