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Document Type

Article

Abstract

Christopher Nolan's Batman film The Dark Knight was viewed by a wide range of commentators as a depiction of contemporary terrorism, pivoting on iconic villain The Joker. Perhaps surprisingly, a mainstream superhero movie has made an accidental (?) intervention in the ongoing discussion of counterterrorism and its ethical restraints. A close reading of various scenes in the movie reveals an upfront debate over means and ends, civil society and the state. Moreover, the moral discourse in The Dark Knight suggests a response to timeless ethical considerations rather than the more historically specific reference points of its recent admirers.

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