Document Type
Article
Abstract
[First paragraph]
Since at least the early eighties, Charles Altieri has been a major scholar-critic of contemporary poetry, and Painterly Abstraction in Modernist American Poetry (1989) extended the scope of his reputation to Modernism and its intersection with visual art. Throughout his career, he has been engaged with literary theory; perhaps because he has articulated alternatives to prevailing trends in Poststructuralism, New Historicism, and Cultural Studies, the critical mainstream has not always granted Altieri’s subtle, dialogically complex work in this area a substantial hearing.
Repository Citation
Fink, Thomas. "Reading Duhamel, Kocot, and Lease with Altieri's The Particulars of Rapture." Reconstruction: Studies in Contemporary Culture vol. 12, no. 4, 2012, pp. 1–24. https://digitalcommons.odu.edu/reconstruction/vol12/iss4/10