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Article

Abstract

[First paragraph]

Seven years ago now, I decided to embark upon a curious project: to write a novel of sorts, built of sixty-four chapters, each one a short story, each one based on one of the hexagrams or gua 卦 of the Chinese divinatory manual, the Book of Changes, or the Yijing 易經. I was interested in the relationship between creativity and divinatory techniques, in the idea of using divinatory methods as a tool for thinking, an interest that I owed, in part, to Italo Calvino’s maddeningly clever book, The Castle of Crossed Destinies, which tells series of interlinked stories by means of reading off grids of tarot cards; and I thought it might be fun to explore this further.

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