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Article

Abstract

[First paragraph]

Twenty years ago as an MFA student at Penn State, I submitted a six-line poem to be workshopped, about a character—also the speaker—undergoing an appendectomy. Unlike the rest of my bumbling, self-indulgent attempts at prosody, this lean machine of a poem was well-received by both my teacher and classmates. I felt elated until after class, in the Ladies Room, one of my fellow students lifted her T-shirt and invited me to compare my appendectomy scar to hers.

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