Document Type
Article
Abstract
This essay addresses two questions about the importance of filmic technique in Vũ Ngọc Đãng's Lost in Paradise (2011). In particular, does the physical body itself perhaps serve an additional function insofar as it provides a special layer, a lens of a sort, through which we are to view larger issues of urban space? More to the point, how are such spaces filmed and how does technique add to our understanding of the unfolding process of self-identification of gay men throughout the work?
Repository Citation
Thành, Nguyễn Q.. "Hot Boys, Their Bodies, and the City in Vũ Ngọc Đãng's Lost in Paradise (2011)." Reconstruction: Studies in Contemporary Culture vol. 16, no. 2, 2016, pp. 1–9. https://digitalcommons.odu.edu/reconstruction/vol16/iss2/7
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